it's a great life, if you don't weaken (matociquala) wrote,
it's a great life, if you don't weaken
matociquala

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you through chattering teeth reply and curse us as you go.

I've got a post up over on Charlie's Diary about thwarting gaming the Hugos next year. Thanks for the pulpit, autopope!

In much much happier news, I'm going to talk about some books I love now.

These are things I have read in the past couple of years that are really, really good.

My Real Children, by papersky (Jo Walton), which is a great book about a woman living two lives in parallel but different timestreams. I have a quibble with the ending, but that's literally my only quibble with the book. There was a thing in the last paragraph that made me go "Huh?" So good, so gorgeously written, so understated, so completely a thing that could never be written in another genre. 

The Goblin Emperor, by truepenny (Katherine Addison), just came in second in the Hugo Best Novel award. It's about a young man growing up in exile who is awakened in the middle of the night to be told that his entire family has been assassinated and he's going to have to be Emperor of the Elves now. There only problem is that he has no training at all, and his mother was a goblin.

The Girl in the Road, by Monica Byrne, is about two women traveling great distances in different times, whose lives are joined by one unspeakable moment of violence. It's so good, you guys. The writing is top notch and the characters are prickly and weird and unreliable narrators and it's compelling as hell.

The Peripheral, by William Gibson. Apparently I am on a roll with parallel-story novels, because this is another one with two threads of narrative that weave together synthetically. It's great: I think this is Gibson's best novel, and it's a crying shame it didn't make the Hugo ballot this year. It has gunfights and philosophy in about equal measure, and it blew my socks off.

Updraft, by Fran Wilde, comes out on Tuesday. It's super, one of the best first novels I've read in a long time. It's about a girl who cannot follow orders to save her life trying to make her way through a perilous society where people live at the top of living bone towers and travel with wings. There are creepy monsters and secret societies and this protagonist who just cannot stop making things worse for herself.

Sorcerer to the Crown, by Zen Cho. Also a new novelist, this is a Regency-era thriller with sorcery duels and brutal politics. It's wacky and madcap while also being quite tense. I was reminded of those Cary Grant/Kate Hepburn screwball comedies in the way things just escalate and escalate.

Lavinia, by Ursula K. Le Guin. I've been hand-selling this book to everybody who will sit still for it. It's subtle and generous and witty and heartbreaking and I loved it to absolute death. And I have a critical allergy to Romans.

Of Noble Family, by Mary Robinette Kowal. The final book in her glamourist histories, this does an excellent job of kicking the coprotagonists Jane and Vincent out of their comfort zone and sending them out into a wider and more difficult world. These books have been moving from strength to strength, and portions of this one are serious nailbiters.

A World of Trouble, by Ben H. Winters. Last book in a trilogy, and all three of them are very good. The protagonist is a guy who was a cop in a world with an impending calamity--and extinction-event level meteor strike--hanging over it. He's trying to be a decent human being and do decent human being things, like take care of his sister. Mystery, action, characterization--all great.

Code Name Verity, by Elizabeth Wein. Oh my gosh just read this book it will knock your socks off. I made the mistake of listening to it on audiobook, and I'm sure the neighbors thought I was a fucking lunatic, walking the dog with headphones in and snot and tears running down my face while I sobbed and sobbed.

California Bones, by Greg Van Eekhout. This is a thrillery book about a young guy whose dad was a sorcerer, and who is attempting to navigate a magical underworld where all the sorcerers hang out and compete for power. It's like Tim Powers meets The Wire. I loved it.



 



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