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bear by san

March 2017



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bear by san

You must be at least as tall as this sign to ride this ride.

"The novelist says in words what cannot be said in words."
--Ursula K. LeGuin

Like so many other things in life--and literature--concern with accessibility is a tension rather than an absolute. Transparency is an ideal, of course--but then again, there are things it is not suited to. Things that can be handled best by telling our truths slant.

Things that can't be said because they have to shown, because language has limitations and one of those limitations is that it tends to be absolute. I talked a bit about this a while back, with regard to thematic arc.

It is not the job of a book to appeal to every possible reader. Specifically, there will always be readers who are too stupid for any given book, to whom it appears opaque or incomprehensible. And readers who are too smart for it, for whom it appears transparent and trite and obvious. (I am too stupid for much of crowleycrow's work, for example.)

And sometimes, the author is too stupid for the book. Or just stupid enough, as the case may be.

And there will be readers for whom any given book is just right. From a writer's perspective, of course--assuming that one is an honest craftsman and an honest artist, rather than a cynical hack--one writes to the best of one's ability the book which one needs to write, and once tries to make it accessible to the broadest possible audience while still maintaining the integrity of the book.

This is, as insinuated above, a balancing act. Every book has a sweet spot, I think--a place where it is as transparent as it can be to do the work it's trying to do. The more work, I would guess, the harder that sweet spot is to hit--and the more difficult the book may be, anyway, even in the writer pulls it off. (For the same reason that King Lear is a more difficult play than As You Like It.)

I'm thinking about this now because there's some unintentional opacity in By the Mountain Bound that needs training out, and it's hard work. Things that seem apparent to me may not be apparent to as many readers as they could be. Things that I would like to make apparent are not amenable to exposition or illumation without becoming heavy-handed, and are left in the subtext to sink or to swim. I mean, ideally we'd be beaming our Jesus sex thought rays into the skulls of every science fiction fan, but that only works for warren_ellis, as far as I can tell. So we're stuck with language, and if we're trying to write about things that are not amenable to simple explication, slippery difficult-to-consider things, things there isn't language for...

...indirection and example and interstices are what we've got.

The only advice I can offer here is for any given writer to hold to his integrity*, and remember--in writing as in baseball, just laying wood on the ball a third of the time is pretty bloody good. This stuff isn't easy.

*holding on to one's integrity does not mean proclaiming one's unpublishability as Misunderstood Genius. It does mean improving one's craft to whatever level one can and honoring the core of the story (I still believe accessibility is a literary virtue; it's just one that must sometimes be traded for other worthy but often inimical things, like depth and revelation), rather than selling your art down the river of Dumb for a fast buck.



Nicely put.

I've found that the *most* accessible and apparently effortless prose turns out to be the most difficult prose to write. If you're reading a passage in someone's book that sounds like it just flowed magically from their pen on the first try, that's usually the passage that took fifteen or twenty revisions for the author to get right.
that's usually the passage that took fifteen or twenty revisions for the author to get right.

This is certainly true of me.
Is the possible-opacity part of the bit of By the Mountain Bound that you posted earlier? If you want to know what bits/themes I was picking up as I read it, I can share that -- only if it could be useful, though. FWIW, I'm newly reading your LJ, and (I hate saying this part) am not yet familiar with the series BTMB is a part of -- though the teasers here are definitely piquing my interest! However, that does at least mean that I'm not trying to guess who's who, more just "who will be whom" :)

(And I liked that first bit very much.)
*g* That's the first scene in the second book of The Edda Of Burdens, which isn't yet sold to anybody.

It's an old project I'm trying to revive.

Which is why the revisions are so nightmarish.
I can think of one book which wasn't meant to be accessible except with difficulty: James Joyce, Finnegans Wake. It's suppose to take twenty years or so to read.
Perhaps too stupid is the wrong word. I do not consider you even a little bit stupid, but there is something in my head that crowleycrow's books just slip into, like a plug and a jack, and everything lights up; I recommend them to other people, and either they have the same experience, or they stare at me with this "...what is this supposed to be about?" look.