it's a great life, if you don't weaken (matociquala) wrote,
it's a great life, if you don't weaken

  • Mood:
  • Music:

I've been funny, I've been cool with the lines. Ain't that the way love's supposed to be?

If you read my blog and enjoy it (I suppose there must be people out there who read it and loathe it, given the law of averages, although I can't imagine why, on a giant internet, one would do such a thing), I'd like you all to take a moment and appreciate the fact that you all owe Rick Springfield a tremendous debt of gratitude. You see, it was Mr. Springfield who first acquainted me with the concept of narrative irony and the unreliable narrator.

Like most adolescents I was irony-blind. This is a situation that was probably exacerbated by having been raised, as previously documented, by wild lesbians, in the era when political correctness had not yet crept extensively into the mainstream, but was The Driving Force in the dyke scene. Fortunately, I recovered, probably in part due to early exposure to my matrilineal grandfather's Swedish sense of humor. (I'm a lot funnier than most of you think I am. Just ask mrissa.)

I can still remember the penny dropping. And as I recall it, it was Rick Springfield's "Jessie's Girl" that clued me in that sometimes, things were not what they appeared to be.

And specifically, the lines quoted in the title.

...Dude. The narrative knows the narrator is kind of an asshole. And deeply in denial.

Well, how about that? Next thing I knew, I had figured out that Sting sort of understood that the narrator in "Every Breath You Take" was maybe not right in the head. I've had a weakness for tricky storytelling, in music and elsewhere, ever since.

You'd be amazed the narrative tricks you can learn from pop music and stage performers.

OMG it's 1980 and I'm wearing Keds with a power suit!

(danger: crunchy hook. the management assesses a fairly high earworm risk)
Tags: media, no sense of humor of which we are aware, writing craft wank, writing is like everything else

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